The Canon XL2 allows you to capture images closer to the finished product than ever before. Work that previously was limited to post-production can be simply and effectively accomplished in the field, in the camcorder. An Open Architecture philosophy, performance found only in much more expensive video cameras, Total Image Control and the solid foundation of Genuine Canon Optics, interchangeable lens capability and superb Canon image processing quality are united in the XL2.
Loaded With Professional Features.
The XL2 brings a host of performance and convenience features to this class of video camcorder- benefits that can't be found in this combination on other high-end video cameras. They include: Canon Super Range Optical Image Stabilization in the standard lens; dual aspect ratios; various frame rate capabilities; image gamma and detail controls; skin detail control and convertible LCD display among others.
Unprecedented image control coordination between two XL2 cameras, remote computer camera control and direct video recording to computer are just a part of the capabilities of the XL2. Never before has so much creative power been put in the hands of the film maker, video artist, and corporate and event videographer.
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Total Image Control
Professional videographers need to have control over the set-up of their camcorder. From complete automatic setting to fine adjustments of Master RGB, Setup Level, Master Pedestal, Skin Tone Detail, Program AE, Gain, AE Shift and Lock, White Balance, Shutter Speeds, Aperture Control, Zebra Patterns Clear Scan and Interval Timer the XL2 has the total image control that professionals need. |
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Color Viewfinder
The XL2’s color viewfinder displays 16:9 Letterbox, as well as full screen 4:3. The viewfinder can be shifted from side-toside, as well as front to back. Best of all, the viewfinder easily converts to a fully functional 2" LCD monitor. |
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SMPTE time code
The Canon XL2 offers many on-camera enhancements to help capture high-quality footage, including features commonly found on broadcast camcorders. Among these is the placement of a SMPTE time code on the tape. SMPTE (Society of Motion Picture and Television Engineers) time code is a digital signal that assigns a number to every frame of video, representing hours, minutes, seconds, frames, plus some additional information. |
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16:9 and 4:3 aspect ratio shooting formats
With an increasing consumer shift towards widescreen TVs that deliver the full width of film-based theatrical movies, plus the resulting need for productions in the 16:9 aspect ratio, Canon's XL2 offers both the standard 4:3 aspect ratio and the 16:9 widescreen TV aspect ratio. Representing the ratio of the screen width to its height, the 4:3 aspect ratio is that of the common TV screen, and is the most commonly used aspect ratio in broadcasting today.
The 16:9 aspect ratio is the more common aspect ratio for film-based movies, and produces full screen playback on widescreen TVs. 16:9 also is the world standard aspect ratio for HDTV.
By offering a camcorder that is able to be switched between the two aspect ratios, Canon opens the door for multiple production options with the same camera -- the XL2.
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XL Mount Interchangeable Lens System
A key feature of the Canon XL-series camcorders (and the only MiniDV format camcorders with this feature), is the XL mount interchangeable lens system. Unlike other systems, the XL2 offers users the ability to change lenses, whether from within the XL series of video lenses, third-party cine lenses, or Canon's extensive range of photo lenses. This not only makes the XL2 a far more versatile camera, it also opens up incredible opportunities for the XL2 user.
Within the Canon XL system alone there are four lenses: the new 20x OIS, 16x OIS, 16x Manual, and 3x Wide. Then, using an XL system adapter, the entire range of Canon photo lenses is available -- a tremendous boon to those producing wildlife and nature documentaries, for example. Other companies also offer a variety of specialty cine lenses that can be used on the XL2.
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